La partitura teatrale nella “svolta concertistica” di Carmelo Bene
The “musical turn” of Carmelo Bene’s production begun in 1979 and remains little explored. However, it was one of the culminating moments in which the relation between the voice, the music and the listening were pushed to the limit of the “suspension of the tragic” and achieved full realisation. Thi...
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| Publicado en: | URI:https://journals.openedition.org/mimesis, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Italien |
| Publicado: |
Mimesis Journal
2019
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |