Corpi im-memori. L’utopia dello spettatore partecipante
This essay retraces and investigates some significant moments in Italia contemporary theatre, as first step toward a “History of the spectator’s memory”. If we apply André Bazin’s theories beyond cinema, we can indeed observe that certaint theatre productions are ruled by a representation of time as...
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| Publicado no: | URI:https://journals.openedition.org/mimesis, |
|---|---|
| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Italien |
| Publicado em: |
Mimesis Journal
2016
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |