Filming Nothingness
The paper aims to expound on the philosophical significance of Carmelo Bene’s oeuvre. In the 1970’s and 1980’s, when the international debate in Europe was dominated by French post-structuralism and Derridean deconstructive criticism, Beneian artistic praxis eluded – I contend – the so-called “metap...
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| Vydáno v: | URI:https://journals.openedition.org/mimesis, |
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| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
| Vydáno: |
Mimesis Journal
2016
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |