Bernard Vincent et Jocelyne Dakhlia (dir.), Les Musulmans dans l’histoire de l’Europe, t. I : Une intégration invisible
One can rarely tell a book by its cover. Les musulmans dans l’histoire de l’Europe, t. I, is an exception. Predominantly blank, this cover focuses the eye on a group of miniature figures cropped from a famous panorama. In Joseph Vernet’s original composition from 1754, the mustachioed pair wearing...
Tallennettuna:
| Julkaisussa: | URI:https://journals.openedition.org/mcv, |
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| Päätekijä: | |
| Aineistotyyppi: | Article ou chapitre numérique |
| Kieli: | Anglais |
| Julkaistu: |
Mélanges de la Casa de Velázquez
2014
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| Linkit: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Yhteenveto: | One can rarely tell a book by its cover. Les musulmans dans l’histoire de l’Europe, t. I, is an exception. Predominantly blank, this cover focuses the eye on a group of miniature figures cropped from a famous panorama. In Joseph Vernet’s original composition from 1754, the mustachioed pair wearing a hooded cape and a fur-trimmed fez and the turbaned woman with décolletage blend into the diverse crowd assembled at Marseille’s port. Here, taken out of context, they encapsulate content. As the ... |
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