The many faces of digital technologyBirth, life (and death?) of the profession of visual effects supervisor in France
As digital tools have brought fundamental changes to many areas of filmmaking (e.g., color grading, editing or shooting), they have also created “new” job descriptions, often completely reconfiguring tasks traditionally assigned to other individuals, such as Post-Production Managers or Visual Effec...
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| Publicado en: | URI:https://journals.openedition.org/map, |
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| Auteurs principaux: | , |
| Formato: | Article ou chapitre numérique |
| Idioma: | eng |
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Mise au point
2019
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:map_3378 |
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openedition |
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openedition-oai:revues.org:map_3378 https://doi.org/10.4000/map.3378 urn:doi:10.4000/map.3378 eng https://journals.openedition.org/map/3378 2019-12-31T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/i3nb https://creativecommons.org/licenses/by-nc-nd/4.0/ The many faces of digital technologyBirth, life (and death?) of the profession of visual effects supervisor in France As digital tools have brought fundamental changes to many areas of filmmaking (e.g., color grading, editing or shooting), they have also created “new” job descriptions, often completely reconfiguring tasks traditionally assigned to other individuals, such as Post-Production Managers or Visual Effects Supervisors. In France, the Visual Effects Supervisor, unlike his American counterpart, has struggled to establish a toehold in feature film productions.This article focuses on the key role of t... Mise au point Association française des enseignants et chercheurs en cinéma et audiovisuel info:eu-repo/semantics/reference/issn/2261-9623 URI:https://journals.openedition.org/map Hamus-Vallée, Réjane Renouard, Caroline |
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OpenEdition Journal |
| language |
eng |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
As digital tools have brought fundamental changes to many areas of filmmaking (e.g., color grading, editing or shooting), they have also created “new” job descriptions, often completely reconfiguring tasks traditionally assigned to other individuals, such as Post-Production Managers or Visual Effects Supervisors. In France, the Visual Effects Supervisor, unlike his American counterpart, has struggled to establish a toehold in feature film productions.This article focuses on the key role of t... |
| author |
Hamus-Vallée, Réjane Renouard, Caroline |
| spellingShingle |
Hamus-Vallée, Réjane Renouard, Caroline The many faces of digital technologyBirth, life (and death?) of the profession of visual effects supervisor in France |
| author_facet |
Hamus-Vallée, Réjane Renouard, Caroline |
| author_sort |
Hamus-Vallée, Réjane |
| title |
The many faces of digital technologyBirth, life (and death?) of the profession of visual effects supervisor in France |
| title_short |
The many faces of digital technologyBirth, life (and death?) of the profession of visual effects supervisor in France |
| title_full |
The many faces of digital technologyBirth, life (and death?) of the profession of visual effects supervisor in France |
| title_fullStr |
The many faces of digital technologyBirth, life (and death?) of the profession of visual effects supervisor in France |
| title_full_unstemmed |
The many faces of digital technologyBirth, life (and death?) of the profession of visual effects supervisor in France |
| title_sort |
many faces of digital technologybirth, life (and death?) of the profession of visual effects supervisor in france |
| publisher |
Mise au point |
| publishDate |
2019 |
| container_title |
URI:https://journals.openedition.org/map |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/map.3378 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/map/3378 |
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