The many faces of digital technologyBirth, life (and death?) of the profession of visual effects supervisor in France
As digital tools have brought fundamental changes to many areas of filmmaking (e.g., color grading, editing or shooting), they have also created “new” job descriptions, often completely reconfiguring tasks traditionally assigned to other individuals, such as Post-Production Managers or Visual Effec...
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| 出版年: | URI:https://journals.openedition.org/map, |
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| 主要な著者: | , |
| フォーマット: | Article ou chapitre numérique |
| 言語: | eng |
| 出版事項: |
Mise au point
2019
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | As digital tools have brought fundamental changes to many areas of filmmaking (e.g., color grading, editing or shooting), they have also created “new” job descriptions, often completely reconfiguring tasks traditionally assigned to other individuals, such as Post-Production Managers or Visual Effects Supervisors. In France, the Visual Effects Supervisor, unlike his American counterpart, has struggled to establish a toehold in feature film productions.This article focuses on the key role of t... |
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