The many faces of digital technologyBirth, life (and death?) of the profession of visual effects supervisor in France
As digital tools have brought fundamental changes to many areas of filmmaking (e.g., color grading, editing or shooting), they have also created “new” job descriptions, often completely reconfiguring tasks traditionally assigned to other individuals, such as Post-Production Managers or Visual Effec...
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| Publicado no: | URI:https://journals.openedition.org/map, |
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| Auteurs principaux: | , |
| Formato: | Article ou chapitre numérique |
| Idioma: | eng |
| Publicado em: |
Mise au point
2019
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | As digital tools have brought fundamental changes to many areas of filmmaking (e.g., color grading, editing or shooting), they have also created “new” job descriptions, often completely reconfiguring tasks traditionally assigned to other individuals, such as Post-Production Managers or Visual Effects Supervisors. In France, the Visual Effects Supervisor, unlike his American counterpart, has struggled to establish a toehold in feature film productions.This article focuses on the key role of t... |
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