The perils of trans-national stardom: Alain Delon in Hollywood cinema
Alain Delon was one of the biggest French stars to emerge in the post-war period, his notoriety sufficient to justify a festival of his films at the Cinémathèque Française in Paris in March 1964, before he had reached the age of 30. Henri Langlois, the Cinémathèque’s director, celebrated him as ‘ou...
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| Publicado no: | URI:https://journals.openedition.org/map, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Mise au point
2014
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | Alain Delon was one of the biggest French stars to emerge in the post-war period, his notoriety sufficient to justify a festival of his films at the Cinémathèque Française in Paris in March 1964, before he had reached the age of 30. Henri Langlois, the Cinémathèque’s director, celebrated him as ‘our top young French actor’, praising him for his commitment to ‘quality’ cinema. Indeed, the star had made his name in three seminal Italian art films – Luchino Visconti’s Rocco e I suoi fratelli/Ro... |
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