A lover’s dictionary of Kathleen Raine
The expression “lover’s dictionary” refers to a collection of works in the form of ABCs created in 2000 by Jean-Claude Simoën for the French publisher Plon, and called “dictionnaires amoureux”. More precisely, the books published in this collection offer a form of writing on a given subject – wine,...
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| 出版年: | URI:https://journals.openedition.org/lexis, |
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| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Lexis
2025
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | The expression “lover’s dictionary” refers to a collection of works in the form of ABCs created in 2000 by Jean-Claude Simoën for the French publisher Plon, and called “dictionnaires amoureux”. More precisely, the books published in this collection offer a form of writing on a given subject – wine, rugby, Venice, Marcel Proust, etc. – that is both expert and non-academic. Indeed, the term ‘amoureux’ refers to a subjective genre of literary criticism that transitions from the academic norm to the expression of feelings and intimacy (Assouline [2016]). This lover’s dictionary is devoted to the works of Kathleen Raine (1908-2003), the twentieth-century British poet, autobiographer and essayist. Indeed, Raine’s three-dimensional body of work invites us to compile a lexicon of her most significant words, charged with intellect and affect, memory and imagination, and produce a kaleidoscopic portrait of the author. The dictionary adopts a certain stylistic unity (Bakhtine [2004 [1935]]) in that the same pattern is to be found for each entry composed polyphonically as follows: The first part provides a brief definition of the word in the first-person pronoun as if Raine herself were talking to us in a confidential tone; the second one is a real quote by Raine borrowed from one of her works; and the third one is a comment made by the author of this Lover’s dictionary of Kathleen Raine. |
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