Colour Emblematics and Chromotherapeutic Emotion in the Paintings of D. H. Lawrence
An interesting place to start a consideration of the significance of colour in Lawrence’s paintings is the picture entitled Close-Up (Kiss). The two main commentators of Lawrence’s artwork, Robert Millett and Keith Sagar, both feel that the picture is decidedly satirical. Robert Millett argues that...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/lawrence, |
|---|---|
| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Études Lawrenciennes
2013
|
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |