The Deaf Sentence in “The Last Laugh”

The fascination with the rich realm of sounds in Lawrence’s works may be viewed as his attempt to intensify a person’s sensual communication with the world. Lawrence was deaf in one ear—the evidence coming from Frieda, from himself in Fantasia of the Unconscious, as well as from Catherine Carswell....

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Detalles Bibliográficos
Publicado en:URI:https://journals.openedition.org/lawrence,
Autor principal: Ragachewskaya, Marina
Formato: Article ou chapitre numérique
Lenguaje:Anglais
Publicado: Études Lawrenciennes 2025
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Acceso en línea:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/158n8
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/lawrence/4193