D. H. Lawrence and the Changing Comedy in his Correspondence
Lawrence is widely seen as a “serious” and by some a humourless writer. He is smiling in less than a handful of his surviving photographs, which number well over a hundred. However, the 1996 collection of essays Lawrence and Comedy, edited by Paul Eggert and John Worthen, has shown how much of a ge...
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| Gepubliceerd in: | URI:https://journals.openedition.org/lawrence, |
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| Hoofdauteur: | |
| Formaat: | Article ou chapitre numérique |
| Taal: | Anglais |
| Gepubliceerd in: |
Études Lawrenciennes
2021
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| Onderwerpen: | |
| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Samenvatting: | Lawrence is widely seen as a “serious” and by some a humourless writer. He is smiling in less than a handful of his surviving photographs, which number well over a hundred. However, the 1996 collection of essays Lawrence and Comedy, edited by Paul Eggert and John Worthen, has shown how much of a generalisation these opinions are. The essay contributed by Mark Kinkead-Weekes focused on Lawrence as a humorous letter-writer but concentrated on relatively short periods of Lawrence’s career (Egge... |
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