Limbs at War: Amputation, Mutilation and Paralysis – Wilfred Owen, Blaise Cendrars and D.H. Lawrence.
“We are among the ruins” (LCL 5), the narrator of Lady Chatterley’s Lover asserts at the beginning of the novel. If this postwar outlook obviously refers to the economic, political, social and moral situation of Europe, the ruins were also significantly individual: shell-shock (as Rebecca West depi...
Gardado en:
| Publicado en: | URI:https://journals.openedition.org/lawrence, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado: |
Études Lawrenciennes
2015
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | “We are among the ruins” (LCL 5), the narrator of Lady Chatterley’s Lover asserts at the beginning of the novel. If this postwar outlook obviously refers to the economic, political, social and moral situation of Europe, the ruins were also significantly individual: shell-shock (as Rebecca West depicts in The Return of the Soldier), disfigurement (notably represented in Henry Tonks’s paintings) and, what will be analyzed here, dismemberment, were particularly striking and new. The new war mac... |
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