From D.H. Lawrence to the Language of Cinema: Chaste Sacrifices in The Woman Who Rode Away and Picnic at Hanging Rock
Picnic at Hanging Rock, a 1975 film by the Australian film director Peter Weir, opens with an eerie shot of a large, dark rock, covered in a shroud of mist, accompanied by unsettling sounds of an Aboriginal didgeridoo, that seem to emanate from the earth itself. This image can arguably be identifie...
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| Xuất bản năm: | URI:https://journals.openedition.org/lawrence, |
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| Tác giả chính: | |
| Định dạng: | Article ou chapitre numérique |
| Ngôn ngữ: | Anglais |
| Được phát hành: |
Études Lawrenciennes
2014
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| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Tóm tắt: | Picnic at Hanging Rock, a 1975 film by the Australian film director Peter Weir, opens with an eerie shot of a large, dark rock, covered in a shroud of mist, accompanied by unsettling sounds of an Aboriginal didgeridoo, that seem to emanate from the earth itself. This image can arguably be identified as the one that launched what came to be known as the New Wave of Australian film in the mid 1970s. The iconic image of Hanging Rock is immediately followed by a shot of a quaint colonial school ... |
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