Review
This ambitious study is a welcome contribution to Lawrencian research in the way that it apprehends modernist aesthetic shifts as responses to the concept of relativity which emerged in the late nineteenth century and early twentieth century. Dr. Kumiko Hoshi’s aim is to explore how D. H. Lawrence’...
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| Publicado no: | URI:https://journals.openedition.org/lawrence, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Études Lawrenciennes
2020
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | This ambitious study is a welcome contribution to Lawrencian research in the way that it apprehends modernist aesthetic shifts as responses to the concept of relativity which emerged in the late nineteenth century and early twentieth century. Dr. Kumiko Hoshi’s aim is to explore how D. H. Lawrence’s own concept of “human relativity” (16) developed thanks to the influence of Victorian relativists before his encounter with Albert Einstein’s Relativity: The Special and General Theory in 1921. I... |
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