“Love Your Enemy”: The Relativity of Absolute Love in D. H. Lawrence’s “The Ladybird”
Preaching the value of love is D. H. Lawrence’s most distinguishable hallmark, which, thanks to H. T. Moore, justly earned him the “title” of “priest of love.” The writer’s edifying philosophies are religious in scale, based on certain absolutes (as in any religion) and are scattered throughout suc...
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| Publicado en: | URI:https://journals.openedition.org/lawrence, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Anglais |
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Études Lawrenciennes
2020
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumario: | Preaching the value of love is D. H. Lawrence’s most distinguishable hallmark, which, thanks to H. T. Moore, justly earned him the “title” of “priest of love.” The writer’s edifying philosophies are religious in scale, based on certain absolutes (as in any religion) and are scattered throughout such fictional and non-fictional works as Studies in Classic American Literature (1923), the essays “Love,” (1918) “Nobody Loves Me,” (1936) “A Propos of Lady Chatterley’s Lover,” (1930) and Women in ... |
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