Perspective and Distortion as Modes of Representation of Power and Rebellion in D.H. Lawrence’s “Introduction to these paintings”
I first became interested in perspective when reading the written versions of Daniel Arasse’s radio talks on the history of art with frequent references to Erwin Panofsky’s essay, Perspective as Symbolic Form. Perspective is not only an artistic means used to convey a three-dimensional world onto a...
Gardado en:
| Publicado en: | URI:https://journals.openedition.org/lawrence, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado: |
Études Lawrenciennes
2014
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |