D. H. Lawrence between the Relative and the Absolute: From Religion and Science to Art and Life
The paper will first of all attempt to examine Lawrence’s relationship to the concepts of the relative and the absolute in the context of the intellectual climate around the turn of the century. The focus here will be primarily on the two institutions that claimed to provide absolute answers, namely...
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| Publicat a: | URI:https://journals.openedition.org/lawrence, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Études Lawrenciennes
2020
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumari: | The paper will first of all attempt to examine Lawrence’s relationship to the concepts of the relative and the absolute in the context of the intellectual climate around the turn of the century. The focus here will be primarily on the two institutions that claimed to provide absolute answers, namely religion and science, and on Lawrence’s response to and liberation from them. Following Lawrence’s intellectual development as expressed through such non-fictional works as Study of Thomas Hardy, “The Crown,” “On Being Religious” and ultimately Apocalypse, the paper will also explore the extent to which his thinking around this issue develops or changes over time. As a preliminary conclusion, it would seem that Lawrence throughout his life retains a fundamentally anarchic stance, rejecting the idea of the absolute as hostile to life, whose fundamental characteristic is precisely the opposite: dynamic, totalising, all-encompassing and ever-changing. Furthermore, while art is introduced as an expression of the only possible reconciliation between a continuous stream of vital impulses, like life itself art too is only “complete for the moment” (STH 59), i.e. a perpetual work in progress. |
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