“[M]y reach ends in my finger-tips”: Embodying the Relative and the Absolute, from “Christs in the Tyrol” to The Escaped Cock
The body: between the relative and the absoluteAs his art matured, Lawrence increasingly represented the body as his “absolute” measure of life and thought. Particularly from The Rainbow (1915) onwards, it was his writing of the body which kept Lawrence always sensuously alive to the interrelatedne...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/lawrence, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Études Lawrenciennes
2020
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |