“Bulls cut down bellowing”
Using Rappaport’s notion of liturgical orders, the essay argues that the fixity of features in some ritual scenes in the Iliad may denote a high communicational register and level of sanctity. The features of commensal and oath-sacrificing scenes are compared and contrasted – death is highlighted in...
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| Vydáno v: | URI:https://journals.openedition.org/kernos, |
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| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
| Vydáno: |
Kernos
2011
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Shrnutí: | Using Rappaport’s notion of liturgical orders, the essay argues that the fixity of features in some ritual scenes in the Iliad may denote a high communicational register and level of sanctity. The features of commensal and oath-sacrificing scenes are compared and contrasted – death is highlighted in oath-sacrifice, muffled in commensal sacrifice. There is a relative paucity of figurative language in ritual scenes, except in the case of the “pitiless bronze” which takes the life of the lambs and boar in the oath-sacrifices of Books III and XIX. This figurative paucity is to be contrasted to the plenum of such language in scenes which depict battlefield killings. Finally the features of the cremation sacrifices of Iliad XXIII are examined against those of commensal and oath-sacrifices. The focalization on the “bulls cut down bellowing” in the precremation feast is startling because it jars with typical commensal sacrifices, but may be explained by the broken nature of the narrative and its punctuation by an oath-making ritual leitmotif. In contrast, the actual cremation sacrifices are situated within a strongly formalized liturgical order which does not permit focalization on dying victims, despite the references to poinē which introduce and conclude the funeral sacrifices. |
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