Earthly Men and Other Worldly Women: Gender Types and Religious Types in Jeanette Winterson’s “Atlantic Crossing” and Other Short Fiction
Among critics of high culture and pundits of popular trends, it is a truth almost universally acknowledged that twentieth-century art reflects an “age of secularism” or an “age of unbelief.” In the literary culture of the Western world there is ample evidence of such secularism: a glance at the New...
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| Publicado no: | URI:https://journals.openedition.org/jsse, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Journal of the Short Story in English
2007
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| Acesso em linha: | Accès Université d'Orléans et IFPM |
| Resumo: | Among critics of high culture and pundits of popular trends, it is a truth almost universally acknowledged that twentieth-century art reflects an “age of secularism” or an “age of unbelief.” In the literary culture of the Western world there is ample evidence of such secularism: a glance at the New York Times summer fiction lists from the 1990s—featuring reading delights ranging from Ian McEwan to Doris Lessing—illustrates how little such fiction focuses on anything explicitly or implicitly ... |
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