Misreading the Body: Mutants and Masks in Three of Daphne du Maurier’s Post-War Stories: “The Little Photographer,” “Kiss Me Again, Stranger,” and “The Blue Lenses”
This article discusses three of Daphne du Maurier’s stories from her 1950s collections which offer scope for discussion of the peculiar iconography of the body in British post-war society. Firstly, two stories taken from her collection, The Apple Tree: A Short Novel and Several Long Stories (1952),...
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| Publicat a: | URI:https://journals.openedition.org/jsse, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Journal of the Short Story in English
2023
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| Accés en línia: | Accès Université d'Orléans et IFPM |