Prises, Déprises, Méprises, Reprises : Le devenir-littéral de la métaphore dans les nouvelles de Grace Paley
From the erosion of the metaphor’s conditions of meaning to the pure coincidence of the figurative and non-figurative, a host of formal processes of de-metaphorisation take place in Grace Paley’s short-stories, right at the core of the space held open between the author’s stated intent not to produc...
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| Argitaratua izan da: | URI:https://journals.openedition.org/jsse, |
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| Egile nagusia: | |
| Formatua: | Article ou chapitre numérique |
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Journal of the Short Story in English
2014
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM |
| Gaia: | From the erosion of the metaphor’s conditions of meaning to the pure coincidence of the figurative and non-figurative, a host of formal processes of de-metaphorisation take place in Grace Paley’s short-stories, right at the core of the space held open between the author’s stated intent not to produce narratives with meaning beyond meaning and the constraints of a two-level order of significance proper to any metaphorical utterance, two incompatible demands at the intersection of which stands the text. |
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