Préface for anthropologie et cinéma
Too often in the English-language literature, the history of ethnographic film is presented as predominantly an Anglo-saxon project, running from A.C. Haddon through Robert Flaherty, Margaret Mead and Gregory Bateson, to John Marshall, Robert Gardner, Ian Dunlop, Timothy Asch and David and Judith M...
Spremljeno u:
| Izdano u: | URI:https://journals.openedition.org/jda, |
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| Glavni autor: | |
| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
| Izdano: |
Journal des anthropologues
2022
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| Online pristup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sažetak: | Too often in the English-language literature, the history of ethnographic film is presented as predominantly an Anglo-saxon project, running from A.C. Haddon through Robert Flaherty, Margaret Mead and Gregory Bateson, to John Marshall, Robert Gardner, Ian Dunlop, Timothy Asch and David and Judith MacDougall. In this epic account of the great ascent of ethnographic cinema, Rudolf Pöch, Franz Boas, Jean Rouch, Asen Balikci and, more rarely, Christoph von Fürer-Haimendorf, may be co-opted as ho... |
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