‘Is that not Titian?’ Echoes of Venice in George Frederic Watts’s Self-Portraits, between Self-Fashioning and Artistic Practice
The reception of Venetian Renaissance painters had a profound effect on the creation of a British tradition of painting and played an important role in the development of the portrait as a typically British genre. This is precisely what this article aims to explore, through the emblematic case of th...
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| Publicat a: | URI:https://journals.openedition.org/interfaces, |
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| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Interfaces
2024
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |