On Roma’s Monumentality
A cursory glance at reviews of Alfonso Cuarón’s Roma (2018) reveals the overwhelming recurrence of the expression “intimate epic” to describe it. In this article I explore the implications of this oxymoron for an appreciation of the film. Much of the discussion surrounding Roma attributed its politi...
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| Dans: | URI:https://journals.openedition.org/interfaces, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Interfaces
2024
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |