The Roses of Jay DeFeo and Bruce Conner: Belated Thoughts on Intermediality and Friendship
Bruce Conner’s 1967 short film, The White Rose, is an artifact of a particular place and time—Fillmore Street, San Francisco, one day in 1965—and a document of Conner’s friendship with the artist Jay DeFeo, painter of The Rose, the monumental painting at its center, which she labored over for eight...
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| Udgivet i: | URI:https://journals.openedition.org/interfaces, |
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| Format: | Article ou chapitre numérique |
| Sprog: | Anglais |
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Interfaces
2023
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |