Reading Queer Irish Performance across Live and Digital Practice
In digital age there is a “reciprocity of images and bodies during regular, multiple and multisited encounters.” (Harbison 16). Westerman asserts performance as ‘inframedium’, that is ontologically situated between life and image (Westerman n.p.). As such it is well placed to critically address the...
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| Publicat a: | URI:https://journals.openedition.org/interfaces, |
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| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Interfaces
2022
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |