Virginia Woolf for the common comics reader: Caroline Picard’s appropriation of The Voyage Out in The Graphic Canon 3
In Virginia Woolf Icon, Brenda Silver shows how Virginia Woolf became an icon in the 1960s – as opposed to merely a writer – largely because of the success of Edward Albee’s play, Who’s Afraid of Virginia Woolf in 1962 and its movie adaptation by Mike Nichols in 1966, and how that partly stems from...
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| Publicat a: | URI:https://journals.openedition.org/interfaces, |
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| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Interfaces
2020
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_288 |
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openedition-oai:revues.org:interfaces_288 https://doi.org/10.4000/interfaces.288 urn:doi:10.4000/interfaces.288 en https://journals.openedition.org/interfaces/288 2020-12-15T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4g2 https://creativecommons.org/licenses/by/4.0/ Virginia Woolf for the common comics reader: Caroline Picard’s appropriation of The Voyage Out in The Graphic Canon 3 In Virginia Woolf Icon, Brenda Silver shows how Virginia Woolf became an icon in the 1960s – as opposed to merely a writer – largely because of the success of Edward Albee’s play, Who’s Afraid of Virginia Woolf in 1962 and its movie adaptation by Mike Nichols in 1966, and how that partly stems from the fear she inspired as a highbrow British female writer – and still does:Occuring across the cultural terrain, whether in academic discourses, the intellectual media, or mass / popular culture, ... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Marie, Caroline |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
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0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
In Virginia Woolf Icon, Brenda Silver shows how Virginia Woolf became an icon in the 1960s – as opposed to merely a writer – largely because of the success of Edward Albee’s play, Who’s Afraid of Virginia Woolf in 1962 and its movie adaptation by Mike Nichols in 1966, and how that partly stems from the fear she inspired as a highbrow British female writer – and still does:Occuring across the cultural terrain, whether in academic discourses, the intellectual media, or mass / popular culture, ... |
| author |
Marie, Caroline |
| spellingShingle |
Marie, Caroline Virginia Woolf for the common comics reader: Caroline Picard’s appropriation of The Voyage Out in The Graphic Canon 3 |
| author_facet |
Marie, Caroline |
| author_sort |
Marie, Caroline |
| title |
Virginia Woolf for the common comics reader: Caroline Picard’s appropriation of The Voyage Out in The Graphic Canon 3 |
| title_short |
Virginia Woolf for the common comics reader: Caroline Picard’s appropriation of The Voyage Out in The Graphic Canon 3 |
| title_full |
Virginia Woolf for the common comics reader: Caroline Picard’s appropriation of The Voyage Out in The Graphic Canon 3 |
| title_fullStr |
Virginia Woolf for the common comics reader: Caroline Picard’s appropriation of The Voyage Out in The Graphic Canon 3 |
| title_full_unstemmed |
Virginia Woolf for the common comics reader: Caroline Picard’s appropriation of The Voyage Out in The Graphic Canon 3 |
| title_sort |
virginia woolf for the common comics reader: caroline picard’s appropriation of the voyage out in the graphic canon 3 |
| publisher |
Interfaces |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/interfaces |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.288 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/288 |
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