Virginia Woolf for the common comics reader: Caroline Picard’s appropriation of The Voyage Out in The Graphic Canon 3
In Virginia Woolf Icon, Brenda Silver shows how Virginia Woolf became an icon in the 1960s – as opposed to merely a writer – largely because of the success of Edward Albee’s play, Who’s Afraid of Virginia Woolf in 1962 and its movie adaptation by Mike Nichols in 1966, and how that partly stems from...
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| Pubblicato in: | URI:https://journals.openedition.org/interfaces, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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Interfaces
2020
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | In Virginia Woolf Icon, Brenda Silver shows how Virginia Woolf became an icon in the 1960s – as opposed to merely a writer – largely because of the success of Edward Albee’s play, Who’s Afraid of Virginia Woolf in 1962 and its movie adaptation by Mike Nichols in 1966, and how that partly stems from the fear she inspired as a highbrow British female writer – and still does:Occuring across the cultural terrain, whether in academic discourses, the intellectual media, or mass / popular culture, ... |
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