The Synaesthetic Experience of Light: Francis Bruguière’s Abstract Photographs
IntroductionPhotography is never a wholly visual medium, despite established cultural conventions and theoretical frameworks that emphasise the opposite. From its earliest days, practitioners and critics pointed to the way in which photography documents, democratically and with fidelity, all that i...
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| Publicado en: | URI:https://journals.openedition.org/interfaces, |
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| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Interfaces
2020
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_232 https://doi.org/10.4000/interfaces.232 urn:doi:10.4000/interfaces.232 en https://journals.openedition.org/interfaces/232 2020-12-15T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/h4fl https://creativecommons.org/licenses/by/4.0/ The Synaesthetic Experience of Light: Francis Bruguière’s Abstract Photographs IntroductionPhotography is never a wholly visual medium, despite established cultural conventions and theoretical frameworks that emphasise the opposite. From its earliest days, practitioners and critics pointed to the way in which photography documents, democratically and with fidelity, all that is placed before the camera’s lens, while modernist photographers of the early-twentieth century such as Paul Strand heralded photography’s “absolute unqualified objectivity” (136), renouncing the p... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Adlhoch, Kristen A. |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
IntroductionPhotography is never a wholly visual medium, despite established cultural conventions and theoretical frameworks that emphasise the opposite. From its earliest days, practitioners and critics pointed to the way in which photography documents, democratically and with fidelity, all that is placed before the camera’s lens, while modernist photographers of the early-twentieth century such as Paul Strand heralded photography’s “absolute unqualified objectivity” (136), renouncing the p... |
| author |
Adlhoch, Kristen A. |
| spellingShingle |
Adlhoch, Kristen A. The Synaesthetic Experience of Light: Francis Bruguière’s Abstract Photographs |
| author_facet |
Adlhoch, Kristen A. |
| author_sort |
Adlhoch, Kristen A. |
| title |
The Synaesthetic Experience of Light: Francis Bruguière’s Abstract Photographs |
| title_short |
The Synaesthetic Experience of Light: Francis Bruguière’s Abstract Photographs |
| title_full |
The Synaesthetic Experience of Light: Francis Bruguière’s Abstract Photographs |
| title_fullStr |
The Synaesthetic Experience of Light: Francis Bruguière’s Abstract Photographs |
| title_full_unstemmed |
The Synaesthetic Experience of Light: Francis Bruguière’s Abstract Photographs |
| title_sort |
synaesthetic experience of light: francis bruguière’s abstract photographs |
| publisher |
Interfaces |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/interfaces |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.232 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/232 |
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