The Synaesthetic Experience of Light: Francis Bruguière’s Abstract Photographs
IntroductionPhotography is never a wholly visual medium, despite established cultural conventions and theoretical frameworks that emphasise the opposite. From its earliest days, practitioners and critics pointed to the way in which photography documents, democratically and with fidelity, all that i...
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| Vydáno v: | URI:https://journals.openedition.org/interfaces, |
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| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
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Interfaces
2020
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Shrnutí: | IntroductionPhotography is never a wholly visual medium, despite established cultural conventions and theoretical frameworks that emphasise the opposite. From its earliest days, practitioners and critics pointed to the way in which photography documents, democratically and with fidelity, all that is placed before the camera’s lens, while modernist photographers of the early-twentieth century such as Paul Strand heralded photography’s “absolute unqualified objectivity” (136), renouncing the p... |
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