Gazing at “Fetishes” 2.0: Using the Spectacle Concept to Understand Consumer Cultures in the Age of Digital Capitalism
This paper argues that Debord’s La Société du Spectacle was a syncretism of contemporary US criticism of the consumer society and the power of the image and of the Marxist tradition. First it elucidates the notion of commodity fetishism for Marx and Debord’s détournement of it. It then establishes t...
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| 出版年: | URI:https://journals.openedition.org/inmedia, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 出版事項: |
InMedia
2019
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| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |