Jeff Menne, Post-Fordist Cinema. Hollywood Auteurs and the Corporate Counterculture
Jeff Menne’s book focuses on the 1962-1975 period which corresponds to the establishment of New Hollywood. It explores how the patterns of industry initiated in 1962 by Lew Wasserman when he bought Universal he conceived of as a federalist organization had become dominant by 1975.The long thirty-tw...
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| Publicat a: | URI:https://journals.openedition.org/ideas, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicat: |
IdeAs
2019
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumari: | Jeff Menne’s book focuses on the 1962-1975 period which corresponds to the establishment of New Hollywood. It explores how the patterns of industry initiated in 1962 by Lew Wasserman when he bought Universal he conceived of as a federalist organization had become dominant by 1975.The long thirty-two-page introduction focuses on the way in which the Auteur Theory has been instrumentalized within the Hollywood studios. Starting with Paramount’s Frank Yablans failed association with the Directo... |
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