Monica Bravo, Greater American Camera: Making Modernism in Mexico
There is no shortage of scholarship on emblematic “American” photographers Edward Weston, Paul Strand and Tina Modotti, and their relationships with Mexican culture in the 1920s and 1930s — most notably their influence on Manuel Alvarez Bravo. In numerous monographs and exhibitions dedicated to the...
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| Publicado en: | URI:https://journals.openedition.org/ideas, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
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IdeAs
2021
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | There is no shortage of scholarship on emblematic “American” photographers Edward Weston, Paul Strand and Tina Modotti, and their relationships with Mexican culture in the 1920s and 1930s — most notably their influence on Manuel Alvarez Bravo. In numerous monographs and exhibitions dedicated to their careers, Mexican travels always emerge as a defining moment. Yet, from Rebeca Zurier’s Photographs of Mexico: Modotti/Strand/Weston (1978) to James Krippner’s Paul Strand in Mexico (2010), throu... |
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