Politique du rythme et oralité dans Obras incompletas et Mujer de verso en pecho de Gloria Fuertes
This article focuses on the poetry of Gloria Fuertes, in which rhythm, conceived as the organization of the subject in language, plays a political role in defending and visibilizing the people that have been marginalized by capitalism and patriarchy. Through a stylistic analysis of some poems such a...
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| Publicat a: | URI:https://journals.openedition.org/iberical, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Français |
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Iberic@l
2026
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumari: | This article focuses on the poetry of Gloria Fuertes, in which rhythm, conceived as the organization of the subject in language, plays a political role in defending and visibilizing the people that have been marginalized by capitalism and patriarchy. Through a stylistic analysis of some poems such as «No perdamos el tiempo» or «Ecología esencial», but also by comparing Fuertes’ multiple poetics and Henri Meschonnic’s Politique du rythme, politique du sujet, this article studies the way Fuertes makes poetic language her own, which becomes, partly thanks to orality, a tool for expressing a dissident identity. |
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