Los ritmos musicales españoles en las composiciones poéticas de Gerardo Diego. Un análisis de sus poemas «Zortziko» (Imagen, 1922) y «Sevillanas» (El jándalo, 1964)
This article examines how rhythm and music, through forms such as the zortziko and sevillanas, are integrated into the poetry of Gerardo Diego by studying two of his poems, revealing their fundamental role in the construction of Spanish cultural identity. This work analyzes how Diego merges and emph...
保存先:
| 出版年: | URI:https://journals.openedition.org/iberical, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Espagnol |
| 出版事項: |
Iberic@l
2026
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| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | This article examines how rhythm and music, through forms such as the zortziko and sevillanas, are integrated into the poetry of Gerardo Diego by studying two of his poems, revealing their fundamental role in the construction of Spanish cultural identity. This work analyzes how Diego merges and emphasizes traditional rhythms in his poetic work, using them not only as a structure but also as a symbol of advocacy for the cultural diversity of the entire Spanish territory. Furthermore, it explores the interaction between music, poetry, and other arts, highlighting how these artistic expressions intertwine to reflect and strengthen Spain’s cultural richness, understanding art as a comprehensive and multifaceted reflection of a country’s cultural reality. |
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