Performance, representation, event
Since the late fifties, the history of performing arts has experienced aesthetic and paradigmatic changes, both in its foundations and its approaches. The emergence of performance, as the practice of a genre drawing on the avant-garde and performance art, but also as a paradigm of practices to study...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/hybrid, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Hybrid
2022
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |