Melodramatic Noir: Advertising the Generic Duality of The File on Thelma Jordan and No Man of Her Own
A case study of two Barbara Stanwyck films released in 1950, The File on Thelma Jordan and No Man of Her Own illustrate the ease with which film noir and the woman’s picture could be mated in vehicles built for a major female star. These two films narratively and stylistically register the generic i...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ges, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Français |
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Genre en séries
2024
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |