Projet – Egypopcult Project. Digital Humanities, Egyptology and Reception Studies in the University of Lisbon
For decades, within the vast bibliographical repertoire dedicated to ‘Egyptomania’, numerous monographs and scientific articles have compiled and analysed the most significant architectural, sculptural, pictorial, audiovisual and literary testimonies of this movement, mostly from a purely Western p...
Đã lưu trong:
| Xuất bản năm: | URI:https://journals.openedition.org/frontieres, |
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| Tác giả chính: | |
| Định dạng: | Article ou chapitre numérique |
| Ngôn ngữ: | Anglais |
| Được phát hành: |
Frontière·s
2024
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| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Tóm tắt: | For decades, within the vast bibliographical repertoire dedicated to ‘Egyptomania’, numerous monographs and scientific articles have compiled and analysed the most significant architectural, sculptural, pictorial, audiovisual and literary testimonies of this movement, mostly from a purely Western perspective. By way of example, these works abound with mentions of buildings such as the Cinéma Le Louxor in Paris (1920) or Grauman’s Egyptian Theater in Los Angeles (1922), as well as Egyptianize... |
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