« Breaking Down the Borders of Memory : The Transatlantic Politics of Metatheatre in Sarah Ruhl’s Passion Play »
The article discusses some of the theatrical strategies that Sarah Ruhl employs in Passion Play (2010) to challenge monolithic descriptions of historical memory and which enable the playwright to bridge the gap between Europe and the United States and between past and present. Drawing on Foucault’s...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/framespa, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Les Cahiers de Framespa
2017
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |