« Breaking Down the Borders of Memory : The Transatlantic Politics of Metatheatre in Sarah Ruhl’s Passion Play »
The article discusses some of the theatrical strategies that Sarah Ruhl employs in Passion Play (2010) to challenge monolithic descriptions of historical memory and which enable the playwright to bridge the gap between Europe and the United States and between past and present. Drawing on Foucault’s...
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| Pubblicato in: | URI:https://journals.openedition.org/framespa, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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Les Cahiers de Framespa
2017
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |