Editorial: “The case of photographic blur in the contemporary era”
Since at least the beginning of the 1990s, the blur has played a prominent role in photographic production, whether for artistic, commercial or reporting purposes. In 1999, Serge Tisseron observed that “since the late 1980s, blurred photography has been everywhere, on gallery picture rails, magazin...
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| 出版年: | URI:https://journals.openedition.org/focales, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Focales
2026
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |