Atlantic Sound Cartographies
The present paper is a result of an artistic on-going process - the "Atlântica" series - and the reflections that it produces. It started with some of my experiences with attentive/deep listening, field recordings, photography, drawings, texts, interventions, and other media in urban and n...
Bewaard in:
| Gepubliceerd in: | URI:https://journals.openedition.org/filigrane, |
|---|---|
| Hoofdauteur: | |
| Formaat: | Article ou chapitre numérique |
| Taal: | Anglais |
| Gepubliceerd in: |
Filigrane
2024
|
| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Samenvatting: | The present paper is a result of an artistic on-going process - the "Atlântica" series - and the reflections that it produces. It started with some of my experiences with attentive/deep listening, field recordings, photography, drawings, texts, interventions, and other media in urban and non-urban environments in Rio de Janeiro, Brazil. In these milieus, updated issues from the ecosophy in "The Three Ecologies", by Guattari, stand out in an intense and multiple manner. The environment, the social relations, and the human subjectivity — all these entries are under great pressure, tension and conflict in this Atlantic space. The series began as a free form of soundwalk that induces to a state of "derangement of all senses". This state directs and defines all the work that is produced in this project. Deleuze, in “Critique et Clinique”, speaks of a cartography-art made not from static maps, but pathways, routes; the soundwalks that I execute and the traces left by them are a kind of cartography of environments, composed of many changing layers. This practice had leaded to some outgrowths and to the elaboration of some notions, experiences and methods, such as: experienced fictions, sonic met-hodology, phantasmal listening, imaginative pansensorial wandering, memory-fiction, cartographic listening, and plastic palimpsest of space-times. |
|---|