Performance Aesthetic
In 1990 I attended a highly intensive performer training workshop in Hakushu, a village in the mountains some sixty kilometres west of Tokyo, in Yamanashi prefecture. The workshop was led by the celebrated butoh dancer Mi Tanaka and other members of his company, then called Mai Juku, who lived and...
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| Publicado en: | URI:https://journals.openedition.org/filigrane, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado: |
Filigrane
2024
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | In 1990 I attended a highly intensive performer training workshop in Hakushu, a village in the mountains some sixty kilometres west of Tokyo, in Yamanashi prefecture. The workshop was led by the celebrated butoh dancer Mi Tanaka and other members of his company, then called Mai Juku, who lived and trained with him. When not touring and performing, the company worked on the farm in a mode of training that elided with their daily living. Just before the workshop, a festival, hosted by Tanaka a... |
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