Editorial: New Sensitivities
Since the end of World War Two, the musical avant-garde has been crisscrossed by phases of reconstruction and deconstruction. Doubtless, this upheaval was salubrious in a context marked by a profound crisis of ideas – ideas held aloof with the same obstinacy by ideologues of every shade and hue – a...
Uloženo v:
| Vydáno v: | URI:https://journals.openedition.org/filigrane, |
|---|---|
| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
| Vydáno: |
Filigrane
2024
|
| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Shrnutí: | Since the end of World War Two, the musical avant-garde has been crisscrossed by phases of reconstruction and deconstruction. Doubtless, this upheaval was salubrious in a context marked by a profound crisis of ideas – ideas held aloof with the same obstinacy by ideologues of every shade and hue – and by the triumph of consumer culture. This period has left behind indisputable masterpieces, but also traumas. The most apparent of these expresses itself in an adversarial relationship with socie... |
|---|