Editorial: Jazz, improvised music and contemporary writing
As was the case in the 1920s and 30s with Ravel, Milhaud, and Stravinsky among others, it seems that nowadays, modern jazz and improvised music have a particular impact on certain types of contemporary composition. Ever since Luciano Berio’s Laborintus II (1965) and Bernd Alois Zimmermann’s Die Bef...
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| Udgivet i: | URI:https://journals.openedition.org/filigrane, |
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| Format: | Article ou chapitre numérique |
| Sprog: | Anglais |
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Filigrane
2024
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | As was the case in the 1920s and 30s with Ravel, Milhaud, and Stravinsky among others, it seems that nowadays, modern jazz and improvised music have a particular impact on certain types of contemporary composition. Ever since Luciano Berio’s Laborintus II (1965) and Bernd Alois Zimmermann’s Die Befristeten (1967) up to recent works by Philippe Hurel, Mark-Anthony Turnage, Yan Maresz, Denis Levaillant, Heiner Goebbels or Wolfgang Mitterer, there are a large number of musical traits – whether ... |
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