New Musicology and the Composing Subject
New musicology has established new forms of interrogation and opened fresh perspectives to musical works. Prompted by these, this article uses a ‘métissage’ of theories to explore the notion of the ‘composing subject’: poststructuralist views on the subject are contrasted with the disparate view fro...
Guardat en:
| Publicat a: | URI:https://journals.openedition.org/filigrane, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicat: |
Filigrane
2024
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumari: | New musicology has established new forms of interrogation and opened fresh perspectives to musical works. Prompted by these, this article uses a ‘métissage’ of theories to explore the notion of the ‘composing subject’: poststructuralist views on the subject are contrasted with the disparate view from the German musicological tradition. The theoretical consideration is illustrated with two works by the German composer Gerhard Stäbler. |
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