Editorial: New Musicology. Critical Perspectives
The purpose of Filigrane. Musique, esthétique, sciences, societé is to provide opportunities for thinking about and renewing musicology. The first issue (entitled Musicologies?) made a number of programmatic proposals. It therefore seemed only natural to publish an issue entirely devoted to the so-...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/filigrane, |
|---|---|
| Autori principali: | , |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Filigrane
2024
|
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | The purpose of Filigrane. Musique, esthétique, sciences, societé is to provide opportunities for thinking about and renewing musicology. The first issue (entitled Musicologies?) made a number of programmatic proposals. It therefore seemed only natural to publish an issue entirely devoted to the so-called “new musicology”.A range of musicological practices emerged in the 1980s and 1990s (chiefly in English-speaking countries) that were eventually termed the ‘new musicology’, represented by le... |
|---|