Field recording et fictions soniques : vers une représentation des espaces urbains
This article proposes an approach to field recording based on the notion of sonic fictions to examine the reality of the environment and to consider new ways to act on spaces and their representations through sound. Sonic fictions refer to our ability to shape imaginary and virtual worlds through th...
Gespeichert in:
| Veröffentlicht in: | URI:https://journals.openedition.org/filigrane, |
|---|---|
| Hauptverfasser: | , |
| Format: | Article ou chapitre numérique |
| Sprache: | Français |
| Veröffentlicht: |
Filigrane
2024
|
| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Zusammenfassung: | This article proposes an approach to field recording based on the notion of sonic fictions to examine the reality of the environment and to consider new ways to act on spaces and their representations through sound. Sonic fictions refer to our ability to shape imaginary and virtual worlds through the manipulation of sonic spaces loaded with references. This occurs when we listen, experience, perceive or anticipate a given sound event as well as when we use our senses to develop an understanding of the world around us. Our approach is based on a dialogue among concepts, theory and practice borrowing both from the artistic practice and the ecological potential of field recording and from recent narratives of climate fiction, in order to reveal or even rethink our relationship to the world. |
|---|