How do artist-entrepreneurs exercise their creative freedom with respect to the mechanisms governing them? The case of the performing arts
This article analyses the resources artist-entrepreneurs have to hand to protect their creative freedom and so lessen their dependence with respect to the mechanisms that govern them. It relies on a study of multiple cases in the performing arts. The results of a manual content analysis of semi-dire...
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| Gepubliceerd in: | URI:https://journals.openedition.org/fcs, |
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| Hoofdauteurs: | , , |
| Formaat: | Article ou chapitre numérique |
| Taal: | Anglais |
| Gepubliceerd in: |
Finance Contrôle Stratégie
2022
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| Onderwerpen: | |
| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:fcs_9433 |
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openedition |
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openedition-oai:revues.org:fcs_9433 https://doi.org/10.4000/fcs.9433 urn:doi:10.4000/fcs.9433 en https://journals.openedition.org/fcs/9433 2022-09-07T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/gatr All rights reserved How do artist-entrepreneurs exercise their creative freedom with respect to the mechanisms governing them? The case of the performing arts Finance Contrôle Stratégie Association FCS info:eu-repo/semantics/reference/issn/2261-5512 info:eu-repo/semantics/reference/issn/1287-1141 URI:https://journals.openedition.org/fcs Burkhardt-Bourgeois, Kirsten Jarrier, Elodie Bourgeon-Renault, Dominique corporate governance cultural and creative entrepreneurship discretionary space/freedom of action performing arts Entrepreneuriat culturel et créatif artiste art vivant gouvernance des organisations latitude discrétionnaire This article analyses the resources artist-entrepreneurs have to hand to protect their creative freedom and so lessen their dependence with respect to the mechanisms that govern them. It relies on a study of multiple cases in the performing arts. The results of a manual content analysis of semi-directed interviews with five theatrical companies in Bourgogne Franche-Comté (France) highlight the importance of networks and informal mechanisms, like trust and reputation, as well as the building of long-term relationships with stakeholders. Formal governance mechanisms, such as boards of directors, play very variable roles. Cet article analyse les moyens dont les artistes entrepreneurs disposent pour protéger leur liberté de création artistique et atténuer ainsi leur dépendance à l’égard des mécanismes qui les gouvernent. Il s’appuie sur une étude de cas multiples dans le secteur de l’art vivant. Les résultats de l’analyse de contenu manuelle des entretiens semi-directifs, menés auprès de cinq structures culturelles d’art vivant de Bourgogne, mettent en évidence l’importance des réseaux et des mécanismes informels, tels que la confiance et la réputation, ainsi que les relations durables avec les parties prenantes. Le recours aux mécanismes formels et intentionnels de gouvernance, tel que le conseil d’administration, joue un rôle d’une importance très variable d’un cas à l’autre. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
corporate governance cultural and creative entrepreneurship discretionary space/freedom of action performing arts Entrepreneuriat culturel et créatif artiste art vivant gouvernance des organisations latitude discrétionnaire |
| spellingShingle |
corporate governance cultural and creative entrepreneurship discretionary space/freedom of action performing arts Entrepreneuriat culturel et créatif artiste art vivant gouvernance des organisations latitude discrétionnaire Burkhardt-Bourgeois, Kirsten Jarrier, Elodie Bourgeon-Renault, Dominique How do artist-entrepreneurs exercise their creative freedom with respect to the mechanisms governing them? The case of the performing arts |
| description |
This article analyses the resources artist-entrepreneurs have to hand to protect their creative freedom and so lessen their dependence with respect to the mechanisms that govern them. It relies on a study of multiple cases in the performing arts. The results of a manual content analysis of semi-directed interviews with five theatrical companies in Bourgogne Franche-Comté (France) highlight the importance of networks and informal mechanisms, like trust and reputation, as well as the building of long-term relationships with stakeholders. Formal governance mechanisms, such as boards of directors, play very variable roles. |
| author |
Burkhardt-Bourgeois, Kirsten Jarrier, Elodie Bourgeon-Renault, Dominique |
| author_facet |
Burkhardt-Bourgeois, Kirsten Jarrier, Elodie Bourgeon-Renault, Dominique |
| author_sort |
Burkhardt-Bourgeois, Kirsten |
| title |
How do artist-entrepreneurs exercise their creative freedom with respect to the mechanisms governing them? The case of the performing arts |
| title_short |
How do artist-entrepreneurs exercise their creative freedom with respect to the mechanisms governing them? The case of the performing arts |
| title_full |
How do artist-entrepreneurs exercise their creative freedom with respect to the mechanisms governing them? The case of the performing arts |
| title_fullStr |
How do artist-entrepreneurs exercise their creative freedom with respect to the mechanisms governing them? The case of the performing arts |
| title_full_unstemmed |
How do artist-entrepreneurs exercise their creative freedom with respect to the mechanisms governing them? The case of the performing arts |
| title_sort |
how do artist-entrepreneurs exercise their creative freedom with respect to the mechanisms governing them? the case of the performing arts |
| publisher |
Finance Contrôle Stratégie |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/fcs |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/fcs.9433 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/fcs/9433 |
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